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Surrounded by buckets of PVA glue and stacks of newspapers, Emmely Elgersma uses her studio like a surreal kitchen, concocting wonky sculptures and wobbly objects that look good enough to eat (but probably don’t taste very good). Creating clay from kitchen products and papier-mâché out of household chemicals, Elgersma’s work is rooted in her formal training as a ceramicist, just with a couple of jokes thrown in.
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